|
Back
A Matter of Choice is the 6th film to come from the talents
surrounding Michael D. Witman. The film is a symbolism packed,
short look at the quick decisions all of us are faced with
in life, and how each event, no matter how small, affects
every choice we make. A Matter of Choice stars Dale D. Moore
as Adam, a man who is down on his luck and has all but given
up on life. This film of choice also stars Michael Ray Reed.
The script, which was a loose adaptation of Aesop's Fable
The Old Man and Death, was developed by Michael D. Witman
himself. |
 |
Location scouting was done in the later part of October 2003 with
the help of Director of Photography, John Dentlinger. After many
spots around the city of St. Louis, MO were considered, the final
location chosen several blocks east of the world famous renovated
Fox Theater. This location was decided upon because of its beautiful
look, availability of light, and quietness of the area. Photography
for the film took place over the course of only one day starting
at 6 AM, filming out of order to control the direction of sunlight. |
 |
Director of Photography, John Dentlinger, along
with the help of Assistant Camera, Robert M. Edgecomb, used
extremely controlled camera work, and smooth dolly movement
to emphasize themes that string throughout the short film.
Using all natural lighting, but carefully choosing what time
to shoot different parts of the film was crucial to the look
of the final product. |
Art direction, including costuming and set decoration, were closely
controlled by Frank Newton, and emphasized different color palettes
surrounding the different characters. The overall feel of the film
that was created is one of a hidden city location, away from the
world of business and commerce. |
Two of the most challenging elements during the
filming of this project were working with a non professionally
trained dog, and creating a realistic looking crash. Levi, the
dog, over the course of the day continued to amaze everyone
on the crew and cast, only ruining one take the entire day.
He was a good sport and good company for everyone. |
 |
To make the crash believable, a stunt was needed. With his previous
experience, Michael Ray Reed volunteered for the job. After putting
on Dale's Costume and spraying his hair blond, allowed himself to
be thrown from the hood of a moving car, with the only mishap being
a slightly cracked windshield. |
 |
Brianne Klugiewicz was in charge of both picture
and sound editing for this project. She took the footage from
the 500 feet of film that was shot and edited it down to a
three minute film. She used very simple narrative editing
with a well layered sound design to draw the audience into
the story quickly. Also, late in the project, the decision
was made to leave the film without a soundtrack, only using
gathered sounds of the city as the underlying track. This
helped to emphasize the critical shifts in the film. |
Also during this time, Michael D. Witman took to the effects lab
to create opening and closing titles as well as erasing a stand
from the background of a two second long clip. This proved to be
a difficult task, but was well worth the finished product. These
graphics combined with Brianne's work put the final touches on the
project. |
Overall this project was completed in just
under three months and costing just under $1000.
Now completed, A Matter of Choice has been sent to several
festivals for consideration. Also, this film recieved a nomination
for a Webster Media Excellence Award, but sadly did not take
home another award for Michael D. Witman |
 |
Back
|
|